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	<title>Instead Of A Cigarette &#187; Shakespeare</title>
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		<title>The strength of spirit ?</title>
		<link>http://instead-of-a-cigarette.com/the-strength-of-spirit/stop-smoking/</link>
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		<pubDate>Tue, 05 Oct 2010 16:55:19 +0000</pubDate>
		<dc:creator>APG</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Tragedy]]></category>
		<category><![CDATA[Julius Caesar]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[strength of spirit]]></category>

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Cheap flights RomeBudget hotels Rome Budget hotels Italy Nor stony tower, nor walls of beaten brass,
Nor airless dungeon, nor strong links of iron,
Can be retentive to the strength of spirit;
William Shakespeare, Julius Caesar, Act I, Scene III




		
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<img src='http://abcplanet.com/images/air.gif'><a href='http://www.airway.net' title='discount airline tickets'><font color=red><b>Cheap flights Rome</b></font></a><br><img src='http://abcplanet.com/images/hotel.gif'><a href='http://www.abchotelbooking.com/cgi-bin/city-discount-hotel?country=IT&url=Rome&city=Rome'><font color=red><b>Budget hotels Rome </b></font></a><img src='http://abcplanet.com/images/hotel.gif'><a href='http://www.abchotelbooking.com/cgi-bin/go?country/IT.en.html?aid=324406'><font color=red><b>Budget hotels Italy </b></font></a><br><p><strong>Nor stony tower, nor walls of beaten brass,<br />
Nor airless dungeon, nor strong links of iron,<br />
Can be retentive to the strength of spirit;</strong></p>
<p><em>William Shakespeare, Julius Caesar, Act I, Scene III</em></p>


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		<title>Siren tears</title>
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		<pubDate>Wed, 04 Jun 2008 10:40:34 +0000</pubDate>
		<dc:creator>APG</dc:creator>
				<category><![CDATA[Poem]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[Siren]]></category>

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What potions have I drunk of Siren tears,
Distill&#8217;d from limbecks foul as hell within,
Applying fears to hopes and hopes to fears,
Still losing when I saw myself to win!
What wretched errors hath my heart committed,
Whilst it hath thought itself so blessed never!
How [...]]]></description>
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<br><br><p><strong>What potions have I drunk of Siren tears,<br />
Distill&#8217;d from limbecks foul as hell within,<br />
Applying fears to hopes and hopes to fears,<br />
Still losing when I saw myself to win!</strong><br />
What wretched errors hath my heart committed,<br />
Whilst it hath thought itself so blessed never!<br />
How have mine eyes out of their spheres been fitted<br />
In the distraction of this madding fever!<br />
O benefit of ill! now I find true<br />
That better is by evil still made better;<br />
And ruin&#8217;d love, when it is built anew,<br />
Grows fairer than at first, more strong, far greater.<br />
So I return rebuked to my content<br />
And gain by ill thrice more than I have spent.</p>
<p>William Shakespeare, Sonnet 119</p>


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		<title>Now is the winter of our discontent</title>
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		<pubDate>Thu, 21 Jun 2007 00:00:09 +0000</pubDate>
		<dc:creator>APG</dc:creator>
				<category><![CDATA[Scenes]]></category>
		<category><![CDATA[Laurence Olivier]]></category>
		<category><![CDATA[Richard III]]></category>
		<category><![CDATA[Shakespeare]]></category>

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You need to a flashplayer enabled browser to view this YouTube video
Shakespeare&#8217;s soliloquy performed by Laurence Olivier in his film version of Richard III.
     Now is the winter of our discontent     Made glorious [...]]]></description>
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<p>Shakespeare&#8217;s soliloquy performed by Laurence Olivier in his film version of Richard III.</p>
<p><span style="font-style: italic">     Now is the winter of our discontent</span><br style="font-style: italic" /><span style="font-style: italic">     Made glorious summer by this sun of York;</span><br style="font-style: italic" /><span style="font-style: italic">     And all the clouds that lour&#8217;d upon our house</span><br style="font-style: italic" /><span style="font-style: italic">     In the deep bosom of the ocean buried.</span><br style="font-style: italic" /><span style="font-style: italic">     Now are our brows bound with victorious wreaths;</span><br style="font-style: italic" /><span style="font-style: italic">     Our bruised arms hung up for monuments;</span><br style="font-style: italic" /><span style="font-style: italic">     Our stern alarums changed to merry meetings,</span><br style="font-style: italic" /><span style="font-style: italic">     Our dreadful marches to delightful measures.</span><br style="font-style: italic" /><span style="font-style: italic">     Grim-visaged war hath smooth&#8217;d his wrinkled front;</span><br style="font-style: italic" /><span style="font-style: italic">     And now, instead of mounting barded steeds</span><br style="font-style: italic" /><span style="font-style: italic">     To fright the souls of fearful adversaries,</span><br style="font-style: italic" /><span style="font-style: italic">     He capers nimbly in a lady&#8217;s chamber</span><br style="font-style: italic" /><span style="font-style: italic">     To the lascivious pleasing of a lute.</span><br style="font-style: italic" /><span style="font-style: italic">     But I, that am not shaped for sportive tricks,</span><br style="font-style: italic" /><span style="font-style: italic">     Nor made to court an amorous looking-glass;</span><br style="font-style: italic" /><span style="font-style: italic">     I, that am rudely stamp&#8217;d, and want love&#8217;s majesty</span><br style="font-style: italic" /><span style="font-style: italic">     To strut before a wanton ambling nymph;</span><br style="font-style: italic" /><span style="font-style: italic">     I, that am curtail&#8217;d of this fair proportion,</span><br style="font-style: italic" /><span style="font-style: italic">     Cheated of feature by dissembling nature,</span><br style="font-style: italic" /><span style="font-style: italic">     Deformed, unfinish&#8217;d, sent before my time</span><br style="font-style: italic" /><span style="font-style: italic">     Into this breathing world, scarce half made up,</span><br style="font-style: italic" /><span style="font-style: italic">     And that so lamely and unfashionable</span><br style="font-style: italic" /><span style="font-style: italic">     That dogs bark at me as I halt by them;</span><br style="font-style: italic" /><span style="font-style: italic">     Why, I, in this weak piping time of peace,</span><br style="font-style: italic" /><span style="font-style: italic">     Have no delight to pass away the time,</span><br style="font-style: italic" /><span style="font-style: italic">     Unless to spy my shadow in the sun</span><br style="font-style: italic" /><span style="font-style: italic">     And descant on mine own deformity:</span><br style="font-style: italic" /><span style="font-style: italic">     And therefore, since I cannot prove a lover,</span><br style="font-style: italic" /><span style="font-style: italic">     To entertain these fair well-spoken days,</span><br style="font-style: italic" /><span style="font-style: italic">     I am determined to prove a villain</span><br style="font-style: italic" /><span style="font-style: italic">     And hate the idle pleasures of these days.</span><br style="font-style: italic" /><span style="font-style: italic">     Plots have I laid, inductions dangerous,</span><br style="font-style: italic" /><span style="font-style: italic">     By drunken prophecies, libels and dreams,</span><br style="font-style: italic" /><span style="font-style: italic">     To set my brother Clarence and the king</span><br style="font-style: italic" /><span style="font-style: italic">     In deadly hate the one against the other:</span><br style="font-style: italic" /><span style="font-style: italic">     And if King Edward be as true and just</span><br style="font-style: italic" /><span style="font-style: italic">     As I am subtle, false and treacherous,</span><br style="font-style: italic" /><span style="font-style: italic">     This day should Clarence closely be mew&#8217;d up,</span><br style="font-style: italic" /><span style="font-style: italic">     About a prophecy, which says that &#8216;G&#8217;</span><br style="font-style: italic" /><span style="font-style: italic">     Of Edward&#8217;s heirs the murderer shall be.</span><br style="font-style: italic" /><span style="font-style: italic">     Dive, thoughts, down to my soul: here</span><br style="font-style: italic" /><span style="font-style: italic">     Clarence comes. </span></p>


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		</item>
		<item>
		<title>To-morrow, and to-morrow, and to-morrow</title>
		<link>http://instead-of-a-cigarette.com/to-morrow-and-to-morrow-and-to-morrow/stop-smoking/</link>
		<comments>http://instead-of-a-cigarette.com/to-morrow-and-to-morrow-and-to-morrow/stop-smoking/#comments</comments>
		<pubDate>Sat, 21 Apr 2007 22:03:06 +0000</pubDate>
		<dc:creator>hag</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[tomorrow]]></category>

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Macbeth, on hearing of his wife&#8217;s death:
She should have died hereafter.
There would have been a time for such a word.
To-morrow, and to-morrow, and to-morrow,
Creeps in this petty pace from day to day
To the last syllable of recorded time,
And all our yesterdays [...]]]></description>
			<content:encoded><![CDATA[

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<br><br><p><em>Macbeth, on hearing of his wife&#8217;s death:</em></p>
<p>She should have died hereafter.<br />
There would have been a time for such a word.<br />
To-morrow, and to-morrow, and to-morrow,<br />
Creeps in this petty pace from day to day<br />
To the last syllable of recorded time,<br />
And all our yesterdays have lighted fools<br />
The way to dusty death. Out, out, brief candle!<br />
Life&#8217;s but a walking shadow, a poor player,<br />
That struts and frets his hour open the stage,<br />
And then is heard no more; it is a tale<br />
Told by an idiot, full of sound and fury,<br />
Signifying nothing.</p>
<p>William SHAKESPEARE, <em>Macbeth</em>, V.v.</p>


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		</item>
		<item>
		<title>All the world&#8217;s a stage</title>
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		<comments>http://instead-of-a-cigarette.com/all-the-worlds-a-stage/stop-smoking/#comments</comments>
		<pubDate>Mon, 16 Apr 2007 21:37:14 +0000</pubDate>
		<dc:creator>APG</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[seven ages]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[world]]></category>

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William Shakespeare, As You Like, Act II, Scene VII.
All the world&#8217;s a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the [...]]]></description>
			<content:encoded><![CDATA[

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<br><br><p>William Shakespeare, As You Like, Act II, Scene VII.</p>
<p><strong>All the world&#8217;s a stage,<br />
And all the men and women merely players;<br />
They have their exits and their entrances;<br />
And one man in his time plays many parts,<br />
His acts being seven ages. </strong>At first the infant,<br />
Mewling and puking in the nurse&#8217;s arms;<br />
Then the whining school-boy, with his satchel<br />
And shining morning face, creeping like snail<br />
Unwillingly to school. And then the lover,<br />
Sighing like furnace, with a woeful ballad<br />
Made to his mistress&#8217; eyebrow. Then a soldier,<br />
Full of strange oaths, and bearded like the pard,<br />
Jealous in honour, sudden and quick in quarrel,<br />
Seeking the bubble reputation<br />
Even in the cannon&#8217;s mouth. And then the justice,<br />
In fair round belly with good capon lin&#8217;d,<br />
With eyes severe and beard of formal cut,<br />
Full of wise saws and modern instances;<br />
And so he plays his part. The sixth age shifts<br />
Into the lean and slipper&#8217;d pantaloon,<br />
With spectacles on nose and pouch on side;<br />
His youthful hose, well sav&#8217;d, a world too wide<br />
For his shrunk shank; and his big manly voice,<br />
Turning again toward childish treble, pipes<br />
And whistles in his sound. Last scene of all,<br />
That ends this strange eventful history,<br />
Is second childishness and mere oblivion;<br />
Sans teeth, sans eyes, sans taste, sans everything.</p>


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		<title>To be or not to be</title>
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		<pubDate>Fri, 13 Apr 2007 19:20:17 +0000</pubDate>
		<dc:creator>APG</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Hamlet]]></category>
		<category><![CDATA[Laurence Olivier]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[Shakespeare]]></category>

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Shakespeare, Hamlet, Prince of Denmark, Act III, scene I with the famous interpretation of Laurence Olivier.
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“
To be or not to be, that is the question—
Whether &#8217;tis nobler in the mind [...]]]></description>
			<content:encoded><![CDATA[

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<br><br><p>Shakespeare, <em>Hamlet, Prince of Denmark</em>, Act III, scene I with the famous interpretation of Laurence Olivier.</p>
<p><object class="embed" width="425" height="350" type="application/x-shockwave-flash" data="http://www.youtube.com/v/zTG0vXniDQY"><param name="movie" value="http://www.youtube.com/v/zTG0vXniDQY" /><em>You need to a flashplayer enabled browser to view this YouTube video</em></object></p>
<table style="border-style: none; border-collapse: collapse; background-color: transparent" class="cquote" align="center">
<tr>
<td style="padding: 10px; color: #b2b7f2; font-size: 35px; font-family: 'Times New Roman',serif; font-weight: bold; text-align: left" valign="top" width="20">“</td>
<td style="padding: 4px 10px" valign="top"><em>To be or not to be, that is the question—<br />
Whether &#8217;tis nobler in the mind to suffer<br />
The slings and arrows of outrageous fortune,<br />
Or to take arms against a sea of troubles,<br />
And by opposing, end them. To die, to sleep—<br />
No more; and by a sleep to say we end<br />
The heart-ache and the thousand natural shocks<br />
That flesh is heir to — &#8217;tis a consummation<br />
Devoutly to be wish&#8217;d. To die, to sleep—<br />
To sleep, perchance to dream. Ay, there&#8217;s the rub,<br />
For in that sleep of death what dreams may come,<br />
When we have shuffled off this <a href="http://en.wikipedia.org/wiki/Mortal_coil" title="Mortal coil">mortal coil</a>,<br />
Must give us pause. There&#8217;s the respect<br />
That makes calamity of so long life,<br />
For who would bear the whips and scorns of time,<br />
Th&#8217;oppressor&#8217;s wrong, the proud man&#8217;s <a href="http://en.wiktionary.org/wiki/contumely" class="extiw" title="wiktionary:contumely">contumely</a>,<br />
The pangs of despis&#8217;d love, the law&#8217;s delay,<br />
The insolence of office, and the spurns<br />
That patient merit of th&#8217;unworthy takes,<br />
When he himself might his <a href="http://en.wiktionary.org/wiki/quietus" class="extiw" title="wiktionary:quietus">quietus</a> make<br />
With a bare <a href="http://en.wiktionary.org/wiki/bodkin" class="extiw" title="wiktionary:bodkin">bodkin</a>? who would <a href="http://en.wiktionary.org/wiki/fardel" class="extiw" title="wiktionary:fardel">fardels</a> bear,<br />
To grunt and sweat under a weary life,<br />
But that the dread of something after death,<br />
The undiscover&#8217;d country from whose bourn<br />
No traveller returns, puzzles the will,<br />
And makes us rather bear those ills we have<br />
Than fly to others that we know not of?<br />
Thus conscience does make cowards of us all,<br />
And thus the native hue of resolution<br />
Is sicklied o&#8217;er with the pale cast of thought,<br />
And enterprises of great pitch and moment<br />
With this regard their currents turn awry,<br />
And lose the name of action.</em></td>
<td style="padding: 10px; color: #b2b7f2; font-size: 36px; font-family: 'Times New Roman',serif; font-weight: bold; text-align: right" valign="bottom" width="20">”</td>
</tr>
</table>


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		<title>Let me not to the marriage of true minds admit impediments</title>
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		<pubDate>Mon, 09 Apr 2007 21:30:54 +0000</pubDate>
		<dc:creator>hag</dc:creator>
				<category><![CDATA[Poem]]></category>
		<category><![CDATA[marriage]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[sonnet]]></category>

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Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star [...]]]></description>
			<content:encoded><![CDATA[

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<br><br><p><font size="3"><strong>Let me not to the marriage of true minds<br />
Admit impediments.</strong> Love is not love<br />
Which alters when it alteration finds,<br />
Or bends with the remover to remove:</font></p>
<p><font size="3">O no! it is an ever-fixed mark<br />
That looks on tempests and is never shaken;<br />
It is the star to every wandering bark,<br />
Whose worth&#8217;s unknown, although his height be taken.</font></p>
<p><font size="3">Love&#8217;s not Time&#8217;s fool, though rosy lips and cheeks<br />
Within his bending sickle&#8217;s compass come:<br />
Love alters not with his brief hours and weeks,<br />
But bears it out even to the edge of doom.</font></p>
<p><font size="3">If this be error and upon me proved,<br />
I never writ, nor no man ever loved.</font></p>
<p>William SHAKESPEARE, <em>Sonnet CXVI</em>.</p>


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