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		<title>The strength of spirit ?</title>
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		<pubDate>Tue, 05 Oct 2010 16:55:19 +0000</pubDate>
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				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Tragedy]]></category>
		<category><![CDATA[Julius Caesar]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[strength of spirit]]></category>

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Cheap flights RomeBudget hotels Rome Budget hotels Italy Nor stony tower, nor walls of beaten brass,
Nor airless dungeon, nor strong links of iron,
Can be retentive to the strength of spirit;
William Shakespeare, Julius Caesar, Act I, Scene III




		
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<img src='http://abcplanet.com/images/air.gif'><a href='http://www.airway.net' title='discount airline tickets'><font color=red><b>Cheap flights Rome</b></font></a><br><img src='http://abcplanet.com/images/hotel.gif'><a href='http://www.abchotelbooking.com/cgi-bin/city-discount-hotel?country=IT&url=Rome&city=Rome'><font color=red><b>Budget hotels Rome </b></font></a><img src='http://abcplanet.com/images/hotel.gif'><a href='http://www.abchotelbooking.com/cgi-bin/go?country/IT.en.html?aid=324406'><font color=red><b>Budget hotels Italy </b></font></a><br><p><strong>Nor stony tower, nor walls of beaten brass,<br />
Nor airless dungeon, nor strong links of iron,<br />
Can be retentive to the strength of spirit;</strong></p>
<p><em>William Shakespeare, Julius Caesar, Act I, Scene III</em></p>


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		<title>To-morrow, and to-morrow, and to-morrow</title>
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		<pubDate>Sat, 21 Apr 2007 22:03:06 +0000</pubDate>
		<dc:creator>hag</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[tomorrow]]></category>

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Macbeth, on hearing of his wife&#8217;s death:
She should have died hereafter.
There would have been a time for such a word.
To-morrow, and to-morrow, and to-morrow,
Creeps in this petty pace from day to day
To the last syllable of recorded time,
And all our yesterdays [...]]]></description>
			<content:encoded><![CDATA[

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<br><br><p><em>Macbeth, on hearing of his wife&#8217;s death:</em></p>
<p>She should have died hereafter.<br />
There would have been a time for such a word.<br />
To-morrow, and to-morrow, and to-morrow,<br />
Creeps in this petty pace from day to day<br />
To the last syllable of recorded time,<br />
And all our yesterdays have lighted fools<br />
The way to dusty death. Out, out, brief candle!<br />
Life&#8217;s but a walking shadow, a poor player,<br />
That struts and frets his hour open the stage,<br />
And then is heard no more; it is a tale<br />
Told by an idiot, full of sound and fury,<br />
Signifying nothing.</p>
<p>William SHAKESPEARE, <em>Macbeth</em>, V.v.</p>


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		<title>All the world&#8217;s a stage</title>
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		<pubDate>Mon, 16 Apr 2007 21:37:14 +0000</pubDate>
		<dc:creator>APG</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[seven ages]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[world]]></category>

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William Shakespeare, As You Like, Act II, Scene VII.
All the world&#8217;s a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the [...]]]></description>
			<content:encoded><![CDATA[

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<br><br><p>William Shakespeare, As You Like, Act II, Scene VII.</p>
<p><strong>All the world&#8217;s a stage,<br />
And all the men and women merely players;<br />
They have their exits and their entrances;<br />
And one man in his time plays many parts,<br />
His acts being seven ages. </strong>At first the infant,<br />
Mewling and puking in the nurse&#8217;s arms;<br />
Then the whining school-boy, with his satchel<br />
And shining morning face, creeping like snail<br />
Unwillingly to school. And then the lover,<br />
Sighing like furnace, with a woeful ballad<br />
Made to his mistress&#8217; eyebrow. Then a soldier,<br />
Full of strange oaths, and bearded like the pard,<br />
Jealous in honour, sudden and quick in quarrel,<br />
Seeking the bubble reputation<br />
Even in the cannon&#8217;s mouth. And then the justice,<br />
In fair round belly with good capon lin&#8217;d,<br />
With eyes severe and beard of formal cut,<br />
Full of wise saws and modern instances;<br />
And so he plays his part. The sixth age shifts<br />
Into the lean and slipper&#8217;d pantaloon,<br />
With spectacles on nose and pouch on side;<br />
His youthful hose, well sav&#8217;d, a world too wide<br />
For his shrunk shank; and his big manly voice,<br />
Turning again toward childish treble, pipes<br />
And whistles in his sound. Last scene of all,<br />
That ends this strange eventful history,<br />
Is second childishness and mere oblivion;<br />
Sans teeth, sans eyes, sans taste, sans everything.</p>


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		<title>To be or not to be</title>
		<link>http://instead-of-a-cigarette.com/to-be-or-not-to-be/stop-smoking/</link>
		<comments>http://instead-of-a-cigarette.com/to-be-or-not-to-be/stop-smoking/#comments</comments>
		<pubDate>Fri, 13 Apr 2007 19:20:17 +0000</pubDate>
		<dc:creator>APG</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Hamlet]]></category>
		<category><![CDATA[Laurence Olivier]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[Shakespeare]]></category>

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Shakespeare, Hamlet, Prince of Denmark, Act III, scene I with the famous interpretation of Laurence Olivier.
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“
To be or not to be, that is the question—
Whether &#8217;tis nobler in the mind [...]]]></description>
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<br><br><p>Shakespeare, <em>Hamlet, Prince of Denmark</em>, Act III, scene I with the famous interpretation of Laurence Olivier.</p>
<p><object class="embed" width="425" height="350" type="application/x-shockwave-flash" data="http://www.youtube.com/v/zTG0vXniDQY"><param name="movie" value="http://www.youtube.com/v/zTG0vXniDQY" /><em>You need to a flashplayer enabled browser to view this YouTube video</em></object></p>
<table style="border-style: none; border-collapse: collapse; background-color: transparent" class="cquote" align="center">
<tr>
<td style="padding: 10px; color: #b2b7f2; font-size: 35px; font-family: 'Times New Roman',serif; font-weight: bold; text-align: left" valign="top" width="20">“</td>
<td style="padding: 4px 10px" valign="top"><em>To be or not to be, that is the question—<br />
Whether &#8217;tis nobler in the mind to suffer<br />
The slings and arrows of outrageous fortune,<br />
Or to take arms against a sea of troubles,<br />
And by opposing, end them. To die, to sleep—<br />
No more; and by a sleep to say we end<br />
The heart-ache and the thousand natural shocks<br />
That flesh is heir to — &#8217;tis a consummation<br />
Devoutly to be wish&#8217;d. To die, to sleep—<br />
To sleep, perchance to dream. Ay, there&#8217;s the rub,<br />
For in that sleep of death what dreams may come,<br />
When we have shuffled off this <a href="http://en.wikipedia.org/wiki/Mortal_coil" title="Mortal coil">mortal coil</a>,<br />
Must give us pause. There&#8217;s the respect<br />
That makes calamity of so long life,<br />
For who would bear the whips and scorns of time,<br />
Th&#8217;oppressor&#8217;s wrong, the proud man&#8217;s <a href="http://en.wiktionary.org/wiki/contumely" class="extiw" title="wiktionary:contumely">contumely</a>,<br />
The pangs of despis&#8217;d love, the law&#8217;s delay,<br />
The insolence of office, and the spurns<br />
That patient merit of th&#8217;unworthy takes,<br />
When he himself might his <a href="http://en.wiktionary.org/wiki/quietus" class="extiw" title="wiktionary:quietus">quietus</a> make<br />
With a bare <a href="http://en.wiktionary.org/wiki/bodkin" class="extiw" title="wiktionary:bodkin">bodkin</a>? who would <a href="http://en.wiktionary.org/wiki/fardel" class="extiw" title="wiktionary:fardel">fardels</a> bear,<br />
To grunt and sweat under a weary life,<br />
But that the dread of something after death,<br />
The undiscover&#8217;d country from whose bourn<br />
No traveller returns, puzzles the will,<br />
And makes us rather bear those ills we have<br />
Than fly to others that we know not of?<br />
Thus conscience does make cowards of us all,<br />
And thus the native hue of resolution<br />
Is sicklied o&#8217;er with the pale cast of thought,<br />
And enterprises of great pitch and moment<br />
With this regard their currents turn awry,<br />
And lose the name of action.</em></td>
<td style="padding: 10px; color: #b2b7f2; font-size: 36px; font-family: 'Times New Roman',serif; font-weight: bold; text-align: right" valign="bottom" width="20">”</td>
</tr>
</table>


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